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~ Workshops 2010 ~
*POSTPONED UNTIL A LATER DATE* TEXARKANA, TX - September 24 & 25 - THE PORTRAIT IN FRENCH GRAY - To register or for informatin contact Sandy Oveson sandy54k@windstream.net DALLAS, TX - Tuesday, October 5 - Presentation/Demo - 7 - 9 pm - ACA (Associated Creative Artist Dallas) Located: Dallas Wate Utilities Bldg, 8915 Adlora Lane at Goforth. RICHARDSON, TX - WORKSHOP- Saturday & Sunday- November 13 & 14. For information or to register contact Dianna Powrie dpowrie@sbcglobal.net or call Dianna at 972-669-7629 FARMERS BRANCH, TX - Tuesday, November 16. Presentation/Demo - 10am to Noon. Mini Workshop - 1pm to 4pm. Workshop fee $10 per person payable to FBCAA. Location, Farmers Branch Senior Center, 14055 Dennis Ln. Farmers Branch, Tx. For information contact Toni Wengler twengler@sbcglobal.net RICHARDSON, TX - Tuesday, November 16 - Presentation/Demo - 7 - 9 pm - Richardson Art Society
~ Workshops 2011~
How about a 9-night MEXICAN RIVERA CRUISE aboard the Carnival Spirit November 4-13, 2011? Sound like fun? For more information visit www.annkullberg.com. To register call 1-800-253-0116 BELTON, TX - WORKSHOP - Exact dates TBA - PAINTING WITH A DRY MEDIUM- Hosted by Bell Fine Arts, 438 North Wall Street in Belton. To register or for information contact Sheron Driessner 254-780-9978 or sherondriessner@hotmail.com BOSSIER CITY, LA - Dates, info and contact info TBA
Updated August 19, 2010
Besides teaching workshops I teach a weekly class every Tuesday from 10am until 1pm at the Hobby Lobby on 15th and Alma in Plano,Tx. If you are interested in taking this class please send me an email. We'd love to have you join us.
PAINTING WITH A DRY MEDIUM The emphasis of this workshop is on burnishing, but not in the traditional sense. The burnishing will be done with a "dry" brush. The two most important things that will be learned are, one, when a sufficient amount of pigment has been applied to make it possible to burnish, and two, how to make the brush work. Using a paint brush not only blends the pigment but also intensifies the color, producing a rich, luminous work of art which will make the viewer wonder if it really is pencil or if it's paint. Note how much more intense and smooth the cherries are than the background. Reference photographs will be provided and the brushes will be available for purchase at the workshop.

COLORED PENCIL ON UART SANDED PASTEL PAPER The emphasis of this workshop is on the paper and is designed to give the colored pencil artists an opportunity to explore the possibilities of a new and different surface. The student will work on UArt Sanded Pastel Paper, a fine artists grade sandpaper which optimizes the workability and blendability of the colored pencil. Reference material will be provided along with the image printed on the sandpaper.

THE PORTRAIT IN FRENCH GRAY
The objective of this workshop is to create a portrait using Prismacolors French Greys. Since the focus of this workshop is a pallet made up of an assortment of grays each student will complete nine steps on a value scale beginning with a small amount of black. The black will be gradated into the 90%. At the other end of the scale French Gray 10% will be gradated into white. Since the French Gray pallet only comes in a 90%, 70%, 50%, 30%, 20% & 10% value range the 80%, 60%, & 40% will have to be created before beginning a portrait.
THE COLORS OF WHITE This workshop focuses on the premise that white is not white but is made up of many rich colors. Starting with a grisaille, a monochromatic painting using shades of gray, students will learn how to apply an array of colors over a tonal rendering demonstrating the translucency of colored pencils. In this workshop each student will be provided with a reference photograph and a list of helpful hints.

The Value & POWER of Value Did you know the success or failure of the finished product is often determined by how skillfully the value structure of the painting has been managed? Are you confident in your ability to see and skillfully use value? Perhaps you would you like to know why value is so important and learn how to use it to your advantage? Even if you are confident and know how to exercise good use of value perhaps you'd just like to hone your skills. Whether you work in watercolor, oil, pastel, colored pencil or graphite; if your style is abstract, impressionistic or realistic, regardless of how you categorize your work, all paintings and drawings have one thing in common—the crucial design element of value. Because value is so important this workshop has been designed to increase the students awareness of value as well as enhance each persons ability to see and understand value so that success, at least where value is concerned, can be more than a guessing game. OPEN TO ALL MEDIA - ALL LEVELS OF EXPERIENCE WELCOME - NO DRAWING REQUIRED
I ALSO TEACH - Beginning Colored Pencil
- The portrait in colored pencil
- A two part, three to five day workshop combining "Painting With a Dry Medium" and Colored pencil on Uart sanded pastel paper.
Each student can expect a pleasant, casual and informative working atmosphere with plenty of individual attention. For more information you can contact me HERE
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